Gladiatress

Director: Brian Grant

Year: 1998

An investigative writer, Manning, visits an old, lonely lady whom she has nicknamed 'Miss Haversham'. However, her present predicament does not concern her, she wants to know about her past - for this is Lady Lucan, wife of the missing peer Lord Lucan ('Lucky' to his friends) who to this day is still wanted for the murder of his young children's nanny. Manning also tracks down one of the policemen, Jarvis, who was heavily involved in the case. Now retired and running a pub aptly named 'The Vanishing Earl', he becomes reflective about the Lucan saga. As Manning and Jarvis piece together the events that led to the murderous night of 7 November 1974, the story flashes back to London in the early seventies - a period when Lucan's infamous gambling addiction and carefree attitude to money was finally catching up on him. With mounting debts, his marriage in tatters, separated from his children due to custody reasons, Lucan becomes more and more desperate to solve his cash crisis. A shady money lender, Mike Maloney, enters Lucan's life. He suggests a burglary of Lucan's Belgravia home where he would keep the stolen items and Lucan could claim on the insurance. Jarvis and Manning are getting closer and closer to the truth. Was the death of the nanny Lucan's handiwork or merely a botched burglary carried out by Mike and an accomplice?

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.