Godforsaken

Director: Jamil Dehlavi

Year: 2000

It is in 1947. India has been given its independence from British rule. The state of Pakistan, the first state to be created as a homeland for Muslims has been painfully born. Mohammed Ali Jinnah, the founder of Pakistan realizes this great ambition and a year later succumbs to the illness through which he has willed himself to live. He is rushed to the hospital and when the ambulance stalls on the highway his life begins to ebb. In is coma Jinnah relives the dilemmas and triumphs of his life, the drama of his ideals, his romance, his happiness and the tragedy of the death of his wife. Jinnah tells the dramatic story of the partition of India, the final intrigue and arguments between the Viceroy Lord Mountbatten, Jinnah, Gandhi and Nehru and the mercurial Lady Mountbatten. It takes the handsome young idealist Jinnah on the journey through which his dream of freeing the people of India from the burden and the insult of foreign rule is twisted and tempered by the realities and cruelties of politics. It is the story of a practical visionary who knew that on his word hung the future of a nation, who knew also that such a birth meant a division of a country and of his family, because his only daughter had married an Indian and would remain in India.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.