Project Detail

Going Back

Synopsis

Douglas returns home from University to discover life will never be the same again. Going Back touches on events which can force people apart and rewards those prepared to break the conspiracy of silence.
 

Details

Year
2002
Type of project
Shorts
Running time
14 mins 45 secs
Format
35mm Kodak
Director
Conal Percy
Producer
Rory O' Hara
Editor
Björn Engström
Screenwriter
Conal Percy
Director of Photography
Stephanie Hardt
Sound
Jim Horn
Composer
Rohan Stevenson
Principal cast
Scott Taylor, Audrey Brady, Vass Anderson, Paul Tonkinson

Genre

Categories

Production Status

Production Company

Conal Percy

24 Park Street
London SE1 9EQ
UK

T 00 44 (0)7932 061013

conal@abcfilm.clara.co.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Second Chance Second Chance

Director: Conal Percy

Year: 2003

Tara fancies Paul. Paul doesn't care. Daniel cares. An urban tale of teenage romance, sibling rivalry and a pair of Rockport Boots.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.