Going Green

Director: Mairi Sutherland

Year: 2009

Wayne Wilson is a primo paparazzi who has gained his reputation by stalking his celebrity clients. Feted by an editor who need his skills to increase the circulation of her magazine, he goes on a spree of photograping footballers, models and rockstars, but does not follow his brief. Eleanor the editor is not impressed. To get him to make amends, she sends him to photgraph the reclusive actress May Hudson, who has not been photgraphed for years. He soon discovers that he cannot get her picture in the conventional manner, as she never leaves her Buckingham mansion. Wayne realises he must try to befriend May's village neighbours of film producers and actors. However they quickly quickly turn their aquaintance with him to their advantage by hatching a plan to have Wayne pose as a movie producer to get May in their movie. Like the film Sunset Boulevard, May makes a triumphal return to Pinewood Studios when the village has-beens succeed in getting their film funded, but when she discovers Wayne is a lowly paparazzi, she drugs and ties him to the bed. Kidnapped and helpless Wayne's life as a paparazzi unravels before him!

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.