Golden Years

Director: John Miller

Year: 2003

Posh is a fresher at Cabot University and on the same corridor in Hope Hall as Liam, Harry, Animal and Footsie. Liam is Irish, in love with Reena and wants to go home. Footsie is the quiet northerner who's at university to work. Harry's a cockney who wishes he wasn't. Animal's a sports fanatic proving himself to an over-competitive dad. And Posh is a public schoolboy who loves life but can't seem to love anyone. It's fresher's week and Posh wants to chase girls and hang out with chinless public school wasters. Until he knocks down Animal while driving Footsie to a party. At the hospital he meets Liam and Harry and an unexpected friendship begins. Posh lusts after Michaela, who fancies Liam, who hardly notices. Ginny is in love with Posh who definitely doesn't notice. Posh invites the lads to his aunt's house on the moor. Animal turns it down to fulfil his dream of playing in the universtiy rugby team. But he isn't picked so he comes too, setting in motion events that force the lads, and Posh especially, to re-evaluate life and love. And of course, there's a very tall bridge to jump off.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.