Good Night Henry
Synopsis
Details
- Year
- 2022
- Type of project
- Shorts
- Running time
- 12 min 4 sec
- Director
-
Isher Sahota
- Producer
- Jamie MacDonald
- Executive Producer
- Lisa Foo, Onkar Sahota
- Editor
- Margred Pryce
- Screenwriter
- Isher Sahota
- Director of Photography
- Andam Singodia
- Production Designer
- Bryony Francis
- Sound
- Ines Adriana
- Composer
- Darryl O'Donovan
- Principal cast
- Joseph Marcell, Sharon Rooney, Ryan Gage
- Costume Designer
- Sherilyn Oliphant
Genre
Categories
Production Status
Production Company
Supported by BFI NETWORK
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
The Effects of Lying
Director: Isher Sahota
Year: 2023
Naveen has lived his life by the book; he’s a loyal husband and loving father. He’s sacrificed everything for his family. But today is going to be different as, after finding his teenage daughter Simran secretly gorging herself and his dissatisfied wife Sangeeta in bed with his brother, secrets that have festered for decades long come pouring out and he’s forced to face up to who he really is. A dark comedy with real heart, that seeks to bring a new, urgent representation of contemporary British Asian families to international screens.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.