Grappling
Synopsis
Details
- Year
- 2024
- Type of project
- Shorts
- Running time
- 17 min 8 sec
- Format
- Digital
- Director
-
Toby Cameron
- Producer
- Simon Pax McDowell
- Executive Producer
- Jude Lister, Matthew Rogers
- Editor
- Sam Jordan-Richardson
- Screenwriter
- Toby Cameron
- Director of Photography
- Sam Jordan-Richardson
- Sound
- Aaron Kennedy
- Composer
- Ritual Cloak
- Principal cast
- Mark Flanagan, Sharon Morgan, Owen Arwyn, Stacey Daly, Dylan Everson
Categories
Production Status
Production Company
Supported by BBC Cymru Wales, Ffilm Cymru Wales, BFI NETWORK
On Par Productions
Toby CameronOffice 2
Meandros House
54a Bute Street
Cardiff
CF105AF
Sales Company
On Par Productions
Toby CameronOffice 2
Meandros House
54a Bute Street
Cardiff
CF105AF
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Louder Is Not Always Clearer
Director: Toby Cameron
Year: 2021
Disinterested and tired of misunderstandings, Jonny, who is Deaf, leaves a dinner party taking the viewer on an audio-visual, time-traveling adventure. For hearing viewers, it is an illuminating and emotional experience. For deaf viewers, the film is a familiar tale of misunderstanding and isolation.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.