Project Detail

Great Acting Auditions

Synopsis

A masterclass of minimalist expressionism by a class master. Dave Heron provides 33 classic expressions as a unique guide for all budding actors, two faced gits and prospective brazen liars.

'Dave taught me everything I know about acting' - L. Olivier.

Details

Year
2008
Type of project
Shorts
Running time
4 min 20 secs
Format
DV Cam
Director
David Heron
Producer
David Heron, Tom Heron
Co-Producer
David Heron, Tom Heron
Editor
Jimmy Heron
Screenwriter
Dave Goudie
Director of Photography
Craig Harvey
Production Designer
Clare Finn
Sound
Freddy Heron
Composer
Freddy Heron
Principal cast
David Heron

Categories

Production Status

Production Company

Muckle Films

4 The Highway
Sutton
Surrey SM2 5QT
UK

Thomasheron1@aol.com

Sales Company

Muckle Films

4 The Highway
Sutton
Surrey SM2 5QT
UK

Thomasheron1@aol.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

What A Devil Of a Fuss! What A Devil Of a Fuss!

Director: David Heron

Year: 2006

Satan visits his psychoanalyst for advice on marketing Hell as the 'place to be'. His analyst is initially reluctant to comply but eventually realises that he is has been having a bad dream and when he finally awakes the devil has become a Bishop.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.