Project Detail

H3

Synopsis

H3 is set in the H-Blocks of the Maze Prison in the North of Ireland during the period, early January 1981 up to the death of Bobby Sands on hunger strike on 5 May 1981.

Seamus Scullion is the man chosen to select the names of his fellow prisoners in the H3 prison block who are ultimately prepared to die for what they believe in.

Details

Year
2003
Type of project
Features
Running time
87 mins
Format
35mm
Director
Les Blair
Producer
James Flynn
Editor
Niamh Fagan
Screenwriter
Brian Campbell, Laurence McKeown
Director of Photography
Owen McPolin
Sound
Daniel Birch
Composer
Ray Harmon
Principal cast
Brendan Mackey, Dean Lennox Kelly, Aidan Campbell

Categories

Production Status

Production Company

Metropolitan Films

Ardmore Studios, Herbert Road
Bray, Co Wicklow
Ireland

T +35 3 1276 9528

metro@iol.ie

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Stand And Deliver Stand And Deliver

Director: Les Blair

Year: 1998

Alun arrives in Glasgow to play a gig at The Edge, a comedy club run by would-be promoter Max T. Max T should be looking after Alun, but he already has his hands full trying to keep Sandy Cervo, his second cousin and business partner, from taking over the club. In a bid to sort out some 'poontang' for himself and Alun, Max invites Eva, a psychiatric nurse and her photographer friend Christina along to the gig.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.