Hallelujah Hendrix

Director: Amir Amirani

Year: 2015

On February 15th, 2003, over 15 million people marched through the streets of 800 cities on every continent to voice their opposition to the proposed war in Iraq. We Are Many tells for the first time the remarkable story of the biggest protest in history, and how it changed the world. Executive Produced by Pippa Harris (Jarhead, Revolutionary Road, Things We Lost In The Fire ), BAFTA winning & Oscar-nominated producer Signe Sorenson (The Act of Killing), and Omid Djalili (The Infidel, Gladiator, The Mummy) , WE ARE MANY is the debut feature film of acclaimed documentary maker Amir Amirani. Filmed over nine years across seven countries, and including interviews with John Le Carre, Damon Albarn, Brian Eno, Danny Glover, Mark Rylance, Richard Branson and Hans Blix amongst others, it charts the birth and rise of the people power movements that are now sweeping the world, all through the prism of one extraordinary day.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.