Hamlet Within: five acts in search of a murderous prince

Director: Ken McMullen

Year: 2010

A writer returns, disillusioned, to London and Paris. He begins on a story: a sleeper cell of young, glamorous urban terrorists. Gabriella, glamorous trophy wife of a young king-in-exile, holed up in an opulent London riverside penthouse, falls under the spell of a modern-day Che Guevara and, Patty Hearst-style, enlists in The Cause. She is sent to Paris under the 'front' of a drama student aiming at film. She takes her studies exceptionally seriously: encounters Bernard Stiegler, the leading philosopher on the subject of cinema and the human condition, and other luminaries. And she meets fellow-"student" activists, half-sister and -brother Julia and Sam, skilled actors who seem more interested in petty crime and scams. Their father is a political prisoner held in London; is he the master-mind? Has he been grooming them since childhood? Our writer adopts the persona of a sleuth as he follows these anti-heroes. Books are passed, stolen: do they bear coded messages? Why is Gabriella obsessed with capturing her interviews on an outdated Nagra tape-recorder? What is their connection with the incipient terrorism on the city streets? So our writer/sleuth uncovers events; but is he documenting actuality, or inventing a fiction?

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.