Hanging Gardens

Director: Ahmed Yassin Al-Daradji

Year: 2027

After accidentally insulting President Saddam Hussein on stage during a performance of Hamlet, theatre actor Salem faces a looming death sentence. To escape the execution, he continues playing the role of Hamlet, feigning insanity, and is sent to a psychiatric hospital, where his condition awaits evaluation. Trapped in a facility filled with the lost souls of Saddam's regime, Salem must navigate a precarious balance between his will to survive and the fear of genuinely losing his mind. Salem catches the attention of the hospital director, who becomes increasingly wary of his growing influence over the patients. But, he finds an unexpected ally in Adyan, a young, ambitious, and deeply committed psychiatrist tasked with assessing his condition. Adyan, however, faces a moral dilemma: remain loyal to her duty, deliver an honest verdict and secure her promotion, or risk everything to save Salem. They defy institutional norms and stage a play with the patients. What begins as a simple exercise of Salem's diagnosis and patients' therapy becomes an unexpected triumph, drawing so much attention that it reaches Saddam Hussein, who grants Salem a presidential certificate of appreciation, officially declaring him mad.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.