Project Detail

Hardly Bear to Look at You

Synopsis

A 'feinschmecker' tries to seize his last chance of happiness with a beautiful street performer who models herself after Holly Golightly in Breakfast at Tiffany's.

Details

Year
2007
Type of project
Features
Running time
tbc
Format
tbc
Director
Huck Melnick 1st Feature
Producer
Jeremy Herman, Huck Melnick
Editor
Huck Melnick
Screenwriter
Jeremy Herman
Director of Photography
Steve Fabian
Sound
Guy Steer
Composer
Semi Royal Blood
Principal cast
Jeremy Herman, Anna Neil, Huck Melnick, Beth Steel, Alex Claus, Tara Hacking

Genre

Categories

Production Status

Production Company

AndBut Films

production@andbut.co.uk

Sales Company

AndBut Films

filmsales@andbut.co.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Hardly Bear To Look At You Hardly Bear To Look At You

Director: Huck Melnick

Year: 2009

Love isn't blind, just extremely short-sighted. Hardly Bear To Look At You takes an unflinching look at the addictive effect unrequited love can have on both parties. A myopic filmmaker tries unsuccessfully to seduce an enigmatic street performer, escorting her from London to Paris by train and then back again in her antique Citroen van. When he casts her in a film set in Cannes, his romantic obsession grows, leading to a conclusion that will force a re-evaluation of all that has gone before.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.