Horse (Sirens)
Synopsis
Details
- Year
- 2022
- Type of project
- Shorts
- Running time
- 7 min 15 sec
- Format
- digital
- Director
-
Harriet Hedden
- Producer
- Harriet Hedden
- Co-Producer
- Harriet Hedden
- Executive Producer
- Harriet Hedden
- Editor
- Harriet Hedden
- Screenwriter
- Harriet Hedden
- Principal cast
- Ino Riga
Categories
Production Status
Production Company
Isadora Films
35 Foliot StreetLondon
W12 0BQ
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See also
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Isadora
Director: Harriet Hedden
Year: 2021
ISADORA is an exploration of time and place. The film started from an accidental discovery of found film footage, suggesting to be the only film existing of a performance of Isadora Duncan. The place is presented impossibly as the Parthenon. As in the original found film footage there is a blurring of realities. In the film the narrator’s voice changes gender as a chorus using words from the diary of Isadora Duncan: her memory describes an experience of what Freud later calls Derealisation, recalled during his own transcendent experience visiting the Parthenon. Transfixed by the power of the image and the disconnect from reality, her words fragile from the time of the grand tour where the European took places as their own.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.