How to Build A Girl

Director: Coky Giedroyc

Year: 2000

The second feature from Stella Does Tricks director Coky Giedroyc, Women Talking Dirty charts the ups and downs in the relationship between two friends in Edinburgh: headstrong single mother Cora (Helena Bonham Carter) and shy but successful cartoonist Ellen (Gina McKee) who is struggling to support her no-good gambling husband. As they gamely deal with the vicissitudes of life, their friendship is tested but ultimately proves too strong to crumble. The film is based on the popular novel by Scottish author Isla Dewar, published in 1996, and marks the debut production from Elton John's Rocket Pictures, which acquired the rights to the novel and then brought on board Giedroyc on the strength of her previous film. Rocket then teamed up with Jean Doumanian, the New York-based producer best known for her collaborations with Woody Allen, in an Anglo-American co-production. The work-in-progress print was screened at last year's Toronto Film Festival, since when the film has been back into the cutting rooms for fine-tuning. It has just been completed. Meanwhile, Rocket Pictures is developing a number of features across the genres and budget ranges, including the partly-animated Just So series, in co-production with the Walt Disney Co, and So I Am Glad, an adaptation of another Scottish novel, this time by AL Kennedy, which will be co-produced and star husband and wife team Ed Harris and Amy Madigan.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.