How to Make a Movie for 43 Pounds

Director: Rhys Davies

Year: 2009

A car roars through the darkened country roads. Inside, a distraught Sarah, holding her stricken dad, Mark, is desperately trying to stem the flow of blood. Having been re-directed to an Evacuation facility on the edge of town, Steve, an off-duty Paramedic is in a race against time fully aware that Marks chances of survival are rapidly slipping away. The scene that greets them on arrival is one of chaos. The floor, awash with blood, is covered with the bodies of the dying and injured, doctors dart back and forth, clearly overwhelmed. A violent convulsion causes Mark to lose consciousness, heart stopped he slumps to the floor. As the adrenalin needle slams into her Fathers heart Sarah stumbles back and her world fades to black. Upon regaining consciousness Sarah is greeted by the uneasy silence of a seemingly deserted building. Bleeding and dazed she stumbles through the darkened corridors unaware of the fate that awaits her.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.