Project Detail

I Love Luci

Synopsis

I Love Luci is a comedy of missing teeth, unrequited love and one dog's potential to shape the fortunes of a couple destined never to be together.

Details

Year
2010
Type of project
Shorts
Running time
12 mins 30 secs
Format
35mm
Director
Colin Kennedy
Producer
Brian Coffey
Co-Producer
James Lees
Editor
Jake Roberts
Screenwriter
Colin Kennedy
Director of Photography
Benjamin Kracun
Production Designer
James Lapsley
Sound
Douglas MacDougall
Composer
Ali Forbes
Principal cast
Camilla Rutherford, Colin Harris, Wilson the Dog as Luci

Categories

Production Status

Production Company

Sigma Films

Film City Glasgow
401 Govan Road
Glasgow
G51 2QJ
UK
Tel: +44 (0)141 445 0400

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Swung Swung

Director: Colin Kennedy

Year: 2015

When an encounter with the swinging scene has an unexpected impact on David's impotence, Alice thinks she might have found the solution to all their problems, but the poly-amorous world is a difficult place for a love story to flourish. Edinburgh International Film Festival 2015 - World premiere

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.