Iced Lolly

Director: Seumas Next, Stephan Kern

Year: 2005

Unfortunately the rest of the world often forms its opinions of the US and its citizenry based on Hollywood, events at the White House and the archetypal American Tourist. Using a global and popular perspective, Mullets and Bars maintains a positive and humorous narrative as it builds a profile of the real America - playing to, yet debunking, many of the global myths and misconceptions of American stereotypes along the way. Just how misguided is the rest of the world when it comes to the American Stereotype? And what does the rest of the world make of America's world leading capitalist exports, go-getting economic tourists in loud shirts and gung-ho business people?  Interviews with Americans are intercut with the local opinions of stand-up comedians, Canadians, passers-by, historians and anti-globalists in order to create a degree of levity between the opposing views while keeping a balanced perspective.  No stone is left unturned as we dissect and discuss all aspects of US culture: the films, television, food, music, hairstyles, oversized cars and the ideal behind the proclamation of truth, justice and the American way of life.  You'll laugh, you'll scream, but you'll have to agree: 'Americans - don't we just love them...'

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.