Idol of Evil

Director: Kevin McDonagh

Year: 2006

Zoë Verne is a regular at Club Dis, the city's hottest subculture superclub. But late one evening she leaves distraught, and is set upon by four dark figures. All she hears is a snarl - she's dead before she can scream. Detective Alex Taylor has it all, but he's losing it fast. His career is on a downward spiral; his fiancée is a stranger to him; and now he's handling Zoë's death - seemingly killed by a wild animal - but the closer he looks, the more the ground falls from beneath his feet. Forensic evidence shows Zoë was addicted to a drug derived from a fungus called Ergot. During the Dark Ages, whole villages were driven mad by eating infected wheat, giving rise to the myth of the Werewolf. Alex suspects Zoë's death is related to this drug, and that the owner of Club Dis is involved, preying on his clientele, luring them into addiction, prostitution and worse. The manager tells Alex nothing; but one of the regulars takes Alex in. At first Alex is appalled by the decadence and free expression. But the more Alex experiences, the more he is drawn into this new life. But more deaths occur, implicating the owner’s female lieutenants - and Alex realises he's in more danger than he'd imagined. Alex returns to Club Dis to bring the owner and his girls to justice, but soon finds himself facing an even greater dilemma than he had ever feared.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.