If The Walls Could Speak

Director: Daniela Zanzotto

Year: 2009

It wasn't exactly a promising childhood. An impoverished father at fifteen, Daniel joined the family business, becoming a drug dealer despite watching his two brothers jailed for the same crime. But when his mother narrowly escapes a prison sentence, and moves the family from North Carolina to the South Bronx, Daniel is given a fresh start. At Taft High School, one of the most violent, notorious high schools in the nation, Daniel discovers that education can give him a future away from poverty and crime. Mature beyond his years, and increasingly articulate, he becomes a dedicated student, not only is he the first of his family to graduate high school, but he wins a scholarship to one of the most elite universities in the US. Just as he thinks the world is his oyster, Daniel falters. A fish out of water he feels alienated not only by his white classmates, but even more so by his middle-class black ones. Filmed over nine years by director Daniela Zanzotto, and narrated by Daniel himself, this is a remarkable portrait of a self-believer determined to steer his own path in life.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.