Project Detail

Ill, actually

Synopsis

A real life "superhero", a YouTuber and a camgirl explain why they choose to share -or hide- their chronic illnesses online. When you're too ill for IRL, where do you turn?

Details

Year
2019
Type of project
Shorts
Running time
12 min 05 sec
Director
Zoe Hunter Gordon
Producer
Celestine Fraser, Hannah Tookey
Executive Producer
Gillian Scothern, Lamia Dabboussy, Siobhan Logue
Editor
Hannah Renton
Director of Photography
Jackie Teboul, Alvilde Naterstad
Sound
Declan Chew (Location), Oscar Crawford (Mix), Callum Janes (Location)
Composer
Hollie Buhagiar
Principal cast
Ben Mudge, Esme Lonsdale as "Bella", Jameisha Prescod
Colour
Henry Howard, Saskia Delius

Categories

Production Status

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Better Better

Director: Zoe Hunter Gordon

Year: 2022

When Ruth finds her chronically ill sister Kitty living a new life by the seaside, she realises she doesn't know her sister - or her illness - at all... A short fiction film about sibling relationships and ableism.

Mr. Nobody Against Putin Mr. Nobody Against Putin

Director: David Borenstein (director), Pavel Talankin (co-director)

Year: 2025

A Russian teacher secretly documents his small town school's transformation into a war recruitment center during the Ukraine invasion, revealing the ethical dilemmas educators face amid propaganda and militarization. Official Selection Sundance Film Festival 2025 - World premiere Official Selection CPH DOX 2025 Official Selection Sheffield DocFest 2025 BAFTA Awards 2026 - Winner - Best Documentary Academy Awards 2026 - Winner - Best Documentary Feature

A Few Moments of Happiness (Quelques instants de bonheur) A Few Moments of Happiness (Quelques instants de bonheur)

Director: Shaden Safieddine Tazi

Year: 2026

A young Lebanese filmmaker in Paris watches Lebanon's war unfold on her phone from bed. In a state of paralysis, barely able to get out of bed, she calls her father everyday and begins recording her digital life. Using screen recordings, family voices, and silences, the film intimately portrays a generation witnessing their homeland's destruction remotely. Official Selection Venice International Film Festival 2026 - World premiere