Injustice

Director: Ken Fero, Tariq Mehmood

Year: 2026

In 1981, twelve young Asian men in Bradford faced terrorism charges after defending their community from a violent racist skinhead attack. They made petrol bombs for self-defence. Known as the Bradford 12, by arming themselves, they took direct action to ward off the greater threat of skinhead violence. The state labelled them terrorists, but the people rallied behind the slogan, “Self-defence is no offence.” Their case exposed the intense racial tensions in Britain. Their arrest sparked fierce protests nationally and internationally, with thousands demanding justice for the Bradford 12. The lengthy, tense trial revealed a police force indifferent to racist violence, one that believed discrimination was necessary and had Special Branch surveillance on key defendants. Ultimately, the Bradford 12 were acquitted - a landmark victory affirming the right to organised armed self-defence for oppressed communities. Their courage and solidarity challenged systemic racism and continue to inspire the fight for justice. Official Selection BFI London Film Festival 2026

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.