Island

Director: Matt Palmer

Year: 2018

Two friends head up to an isolated Scottish Highlands village for a weekend hunting trip. Nothing could prepare them for what follows. Father-to-be Vaughn and his lifelong friend Marcus head to an isolated, struggling Highlands village for a weekend hunting trip. After a first night of heavy drinking with the villagers, the men head out on a misty autumnal morning, into a vast forest. When Vaughn tries to shoot a deer, a fatal accident happens. Instead of hitting the animal, his bullet rips into a child in the distance. The men make the fateful decision to cover up the tragic incident. But piece by piece, their secret unravels as they become stranded in the village and sucked into a never-ending nightmare. As the locals close in on the truth, Vaughn is drawn into a series of increasingly unbearable and impossible moral choices that place both his survival and his family at stake. Official Selection Edinburgh International Film Festival 2018 - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.