Jealous Alan

Director: Martin Clark

Year: 2027

Brave as whiskey Bold as brass A laugh like a bell And a warmth unmatched, built hearth upon hearth Your house rumbles Excerpt - 'The Public House Rumbles' by Alexandra Ewing Shot in the single location of a Glaswegian pub, PUBLIC HOUSE is a sequence of vignettes, some characters recurring and others not, just like real life. A myriad of eccentric and troubled souls pass through, looking for a drink, solace, a conversation, someone to love, an audience, sex, an explanation, revenge, or just a place to be. The film delves deeper than the sum of its parts, asking existential questions. How did we end up here? Why do we do what we do? Should we try something else? Ultimately the film is about committing to something. To an idea, a place, an affair, grief, a philosophy, family, a tall tale, loss, love, a joke, a friend or simply trying to make it through the day.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.