Just A Mum
Synopsis
Details
- Year
- 2026
- Type of project
- Shorts
- Running time
- 14 min 34 sec
- Format
- Digital
- Director
-
Maria Trevis
- Producer
- Maria Trevis
- Executive Producer
- Nick Sadler, Kirsty Bell, Nigel Horton-Baker, Sean Hackemann
- Editor
- Nick Arthurs BFE
- Screenwriter
- Maria Trevis
- Director of Photography
- Eli Hughes
- Production Designer
- Em Leggett
- Sound
- Martin Trevis
- Composer
- Kezia Tomsett
- Principal cast
- Jolie Lennon, Brendan Patricks
- Other Lead Creative(s)
- Costume Design: Astrid Schulz, Sounde Design: Yosune Muguruza
- 1st AD
- Jane Davis
- Production Manager
- Jocelyn Chandler-Hawkins
- Production Sound Recordist
- Martin Trevis
- Boom Operator
- Lewis Monckton
- Script Supervisor
- Matt Bradbury
- 1st Assistant Camera
- Alex Sole-Leris
- 2nd Assistant Camera
- Amy Warren
- Data Transfer
- Maria Zeneth Ibarra
- HMUA
- Andriea Nelson
- HMUA and SFX
- Louise Becker
- SFX Technician
- Peter Harris
- Props maker
- Peter Harris
- Gaffer
- Casey Jo Grosso
- Spark
- Marta Laperal Martín
- Best Boy
- David Gregory
- Production runner
- Tara Pirie
- Production runner
- Sam Wilson
- Chaperone
- Sam Buckett
- Colourist
- Emmanuel Benjamin
- Dubbing Mixer
- Yosune Muguruza
- VFX
- Bingqing Li
Genre
Categories
Production Status
Production Company
Baroness Studios Ltd
Maria TrevisThe Blade
Abbey Square
c/o Specialist Accounting Solutions Ltd
Reading
Berkshire
RG1 3BE
Page updates
This page was last updated on 12th October 2026. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
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About an Intimate Matter
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Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.