Project Detail

Keeping Rosy

Synopsis

All Charlotte wants from life is to be cut a slice of the media agency she has devoted herself to building. When Charlotte's life disintegrates, we follow her on a heart-racing journey of self-discovery, atonement and danger.

Details

Year
2014
Type of project
Features
Running time
93 mins
Director
Steve Reeves 1st Feature
Producer
Isabelle Georgeaux, Richard Holmes
Screenwriter
Mike Oughton, Steve Reeves
Director of Photography
Roger Pratt
Principal cast
Maxine Peake, Blake Harrison, Christine Bottomley

Categories

Production Status

Production Company

Big Rich Films

10 Southbrook Mews
Southbrook Road
London
SE12 8LG

Sales Company

Parkland Pictures

Justina Petkeviciute
Suite 7, 79 Wardour Street
London
W1D 6QB

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The People Before The People Before

Director: Steve Reeves

Year: 2024

Jess and her husband need a new start, so when the chance to buy a rambling old house comes up, they leap at it. But not everyone in Suffolk is welcoming. The locals know a secret about the Maple House, and soon, Jess realises they've made a huge mistake. Something bad happened in that house. Something nobody wants to talk about.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.