Kick Off
Synopsis
Watch and wince as fledging referee Elton Glixton struggles to control this testosterone tsunami as rude-boy meets bum-boy in this outrageous new comedy set in the crazy gung-ho world of 5-a-side footie.
The latest and craziest from award-winning writer/director Rikki Beadle-Blair (Bashment, Stonewall, Metrosexuality). High-voltage entertainment from a vibrant and sexy 17-strong cast.
Details
- Year
- 2010
- Type of project
- Features
- Running time
- 99 mins
- Director
-
Rikki Beadle-Blair
- Producer
- Rebecca Joerin, Ian Sharp, Carleen Beadle, Diane Shorthouse, Rikki Beadle-Blair
- Editor
- Edmund Swabey
- Screenwriter
- Rikki Beadle-Blair
- Director of Photography
- Mike Doxford
- Sound
- Peter Bailey, Chris Goldsmith, Aquarium Studios
- Composer
- Rikki Beadle-Blair
- Principal cast
- Ian Sharp, Jason Maza, Nathan Clough, Jay Brown, Stephen Hoo, Micheal Lindall, Jack Shalloo, Jai Rajani, Ludvig Bonin, Craig Storrod, Duncan MacImmes, Rebecca Joerin, Alexis Gregory, Kyle Treslove, Sasha Frost, Samantha Lyden, Ryan Quartley, Rikki Beadle-Blair
Genre
Categories
Production Status
Production Company
Achilles Entertainments
The Shorthouse Organisation
Team Angelica
Page updates
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Year: 2009
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Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.