Killing Time
Synopsis
Killing time is a dark, tense, noirish encounter about divided loyalties, morality, race and unspoken desire between two very different individuals struggling to survive on the margins of society. Compelling, stylish and intriguing, killing time is an unusual take on the comfort of strangers.
Details
- Year
- 2004
- Type of project
- Shorts
- Running time
- 8 mins
- Format
- 35mm, DigiBeta
- Director
-
Zadoc Nava
- Producer
- Tim Katz
- Editor
- Cyril Metzger
- Screenwriter
- Zadoc Nava
- Director of Photography
- Tony Miller
- Principal cast
- Anna Wilson-Jones, Ewart James-Walters
Categories
Production Status
Production Company
Sonatine Films/Rose Hackney Barber
5-6 Kingley StreeyLondon W1B 5PG
UK
T+44 (0)20 7439 6697
tk@rhb.uk.com
Page updates
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Clocks
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Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.