Project Detail

Little Ken

Synopsis

Little Ken follows the unlikely exploits of three generations of bank robbers and their relationship with a family of cats.

Details

Year
2004
Type of project
Shorts
Running time
3 mins
Format
Beta SP
Director
Paul Slater
Producer
Caroline Cooper
Executive Producer
Caroline Cooper
Editor
Jason Budge
Screenwriter
Paul Slater
Sound
Heather Fenoughty, Jamie Evans
Composer
Heather Fenoughty, Jamie Evans
Principal cast
Paul Slater
Background Artist
Anna Connor
Animators
Rozi Fuller, Paul Slater, Simon Blakemoore
Storyboards
Paul Slater

Production Status

Production Company

Floating Donkey Animation

22 Shaw Lane, Holmfirth
West Yorkshire HD9 2AD
UK

T +44 (0)1484 683432

paul@floatingdonkey.co.uk

Sales Company

YMPA - The Workstation

Paternoster Row
Sheffield S1 2BX
UK

T+44 (0)114 249 2204

admin.ympa@workstation.org.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Schoolyard Samurai Schoolyard Samurai

Director: Paul Slater

Year: 2004

Schoolyard Samurai follows the misadventures of a cute unassuming little girl as she strives to fit in with the other kids at school. After several failed attempts to join in playground games she decides to take action.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.