Locked in
Synopsis
Details
- Year
- 2012
- Type of project
- Shorts
- Running time
- 9 min 14 sec
- Format
- Digital
- Director
-
Valeria Appel
- Producer
- The Room Upstairs Ltd
- Co-Producer
- N/A
- Executive Producer
- The Room Upstairs Ltd
- Editor
- Emanuele Giraldo, Tim Willrich
- Screenwriter
- Valeria Appel
- Director of Photography
- Stuart White
- Production Designer
- Maria Martin Caro
- Sound
- Spesh Maloney
- Composer
- N/A
- Principal cast
- Jethro Skinner, Amber Coombs, Joseph Walsham, Lucy Walsham, Si Collins
Genre
Categories
Production Status
Production Company
The Room Upstairs
Valeria AppelSales Company
The Room Upstairs
Valeria AppelPage updates
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See also
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Lost and Found
Director: Valeria Appel
Year: 2009
Ted Matthews keeps finding objects that were lost on the street. It is actually the objects that find him. Ted stopped looking for things long before he started to sleep with his violin. Ted's music tells the story of every object found. All imaginary tales like his own imaginary life.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.