Longhaul

Director: Bob Blagden

Year: 2004

Daniel, an ambitious and handsome detective sergeant (Nick Moran) takes on the tough contemporary world of a teenage girl in Brighton. But to the dismay of his police partner (Victoria Scarborough), he is relentlessly stalked by a fifteen year-old gang leader (Lara Belmont) who dreams of escape for them both to a romantic tropical Island. As their mutual and forbidden desire increases, events move inexorably to a denouement of tortured and sexual longing and eventual tragedy.   Hayley's gang of fourteen year-old girls are on the rampage, mugging young male tourists on Brighton's sea-front. Hayley is half-adolescent and half-woman, as raw and violent as any male counterpart, and just as calculating. She is determined that they will escape their poverty, their crumbling families and dead end prospects by stealing enough money to leave Brighton. The gang thinks she wants to go to London. However, secretly Hayley has almost saved up enough money to take them to Bali, a tropical paradise full, she imagines, of beautiful, androgynous young men. Here she and the gang will find the happiness they crave.   When Hayley sees Daniel, a young detective, arresting a robbery suspect she is transfixed. Charismatic, handsome, tough but also strangely vulnerable, he personifies her desires. She falls in love and lust. She must have him at any cost.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.