Love Cake

Director: Eleanor Yule

Year: 2004

Running from a dark secret, Danish backpacker Mike Hammershoi (Anders W. Berthelsen) arrives at Black's estate in the Scottish Borders, looking for work. Cut off from the outside world, Francis Black) Peter Mullan, the blind owner, lives there in a shuttered-up, decaying mansion, with his elderly mother Bella (Phyllida Law).   Francis reluctantly offers the traveller a low-paid job in the yard. Put off by the unsettling atmosphere, Mike declines the offer. But as he turns to go, he sets eyes on Rachel (Jodhi May), Francis' enigmatic young wife, and changes his mind. Mike starts work on the farm, dumping the debris of the Blacks' once-successful business into the mud pit - a bottomless vortex of quicksand at the end of the land.   Mike soon realises that Francis, increasingly embittered by his blindness, exerts a domineering power over Rachel. Rachel, emotionally suffocated by her husband, is increasingly attracted to Mike, whose presence awakens her pent-up sexual desire. Unable to resist each other, they become lovers. As the sexual tension increases, so too does Francis' jealousy rage. In a fit of anger, Francis sacks the traveller. The threat of Mike's departure forces Rachel to choose between her husband and her lover. Unaware of his dark past, Rachel decides to run away with Mike. Seething with fury, Francis stands, knife in hand, by the edge of the mud-pit waiting for the unsuspecting lovers as they prepare to make their escape.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.