Love, Honour & Obey

Director: Dominic Anciano, Ray Burdis

Year: 1999

At the wake of an actor who has died in sudden and unexpected circumstances, a group of friends gather around the grieving Sadie only to find themselves being filmed to conclude a movie the deceased had been working on in the months leading up to his death. To help them understand why she wishes to complete the film, Sadie shows the group earlier footage in which they've been filmed unaware by video cameras hidden around the house (in living rooms, bedrooms and toilet!) at dinners, parties and so on. The footage of the friends, interspersed with Jude's own to-camera sequences (commenting on what they are watching) turns out to be shocking and often explicit recordings of personal conversations, drug taking and sexual encounters. As a result the wake increasingly descends into an absurdly comic, recriminatory and violent debacle as the group confront each other over the truths revealed on video. Final Cut is a wildly outrageous, extremely funny 'false' documentary partially filmed on video, where the actors use their own names and play fictionalised versions of their real personalities. Guaranteed to offend some and intrigue others,Final Cut is an ambitious and entertaining low budget film featuring some of the cream of young British acting talent.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.