Project Detail

Luxor

Synopsis

When British aid worker Hana returns to the ancient city of Luxor, she comes across Sultan, a talented archaeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.
Official Selection Sundance Film Festival 2020 - In Competition - World Cinema Dramatic Competition - World premiere

Details

Year
2020
Type of project
Features
Running time
85 min
Director
Zeina Durra
Producer
Mohamed Hefzy, Mamdouh Saba
Co-Producer
Gianluca Chakra
Executive Producer
Paul Webster
Editor
Andrea Chignoli, Matyas Fekete
Principal cast
Andrea Riseborough, Michael Landes, Karim Saleh, Sherine Reda

Genre

Categories

Production Status

Production Company

Egypt, UK, United Arab Emirates co-production

Film-Clinic (EG), Front Row Filmed Entertainment (AE)

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Seventh Dog The Seventh Dog

Director: Zeina Durra

Year: 2006

Soraya, a Parisian/Palestinian, and her Saudi boyfriend Yusif's relationship frays to snapping point as the FBI, Homeland Security and the Super's remaining six dogs plague their daily lives. This is a black comedy which portrays the poignant, sometimes funny, sometimes tragic truths of the post-9/11 lifestyle of Arabs in New York City.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.