Marble Tears Taste Like Wine

Director: Julien Moreno

Year: 2025

In a world where blood and memory intertwine, a seasoned sensei discovers an ancient bracelet said to defy death itself. Desperate for vengeance against his wise brother now a leader who has overshadowed him. The Sensei performs a forbidden ritual to revive two fallen warriors: a pair of blood brothers whose bond was once unbreakable. But when they return, their memories are fractured. They don't recognize each other, their loyalty is uncertain, and the sensei finds himself caught in a storm of violence, betrayal, and confusion. As the brothers show threats of clash in combat, the sensei must make the impossible choice: which of the two will stand by his side to bring down his own flesh and blood. Every strike draws him closer to his revenge, yet every drop of blood reminds him of the cost. In the end, vengeance may come not only with the death of his brother but with the death of the very family he tried to control. A bloody, action-packed short film of fractured brotherhood, haunting memories, and the heavy price of revenge.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.