Me, My Swami and I

Director: Graham Higgins

Year: 2015

Deceive yourself. It works. "You know that old runner’s trick? You see something in the distance - a building, a tree. You tell yourself you’re only going to run to that point. But when you get there, you don’t stop. You keep running." Paul meets John while he's out running. A sinister chain of events arouses his suspicions about his new friend. But by then it's too late - their lives are bound together by a shared fate. After being forced out of his job Paul is left doubting his future until he runs into John, a friendly American who seems to have all the answers. They both agree that life isn’t fair and John comes up with a radical plan to turn Paul’s life around. But when a young banker is found murdered, Paul begins to question what John really wants. Nominated 'Best UK Feature', Raindance Film Festival 2015

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.