Project Detail

Molly

Two men looking at each other underneath purple lighting

Synopsis

A chance encounter at a launderette sparks an intense emotional intimacy between Vinnie and Ryan. As closeness blurs into desire, their relationship forces them to confront what love demands before it fractures everything they have built.

Details

Year
2026
Type of project
Shorts
Running time
22 min 52 sec
Director
Darius Shu
Producer
Kaushik Ray, Pooja Chauhan, Darius Shu
Executive Producer
Kaushik Ray
Editor
Darius Shu
Screenwriter
Darius Shu
Director of Photography
Darius Shu
Production Designer
Arron Blake
Sound
Patch Rowland
Composer
Benjamin Doherty
Principal cast
Hiroki Berrecloth, Frank Kauer, Aldous Ciokajlo-Squire

Categories

Production Status

Production Company

Taran Tantra Telefilms Ltd

Kaushik Ray
7 Waterside Place
London
NW1 8JT

Silverprince Pictures Ltd

Darius Shu
71-75 Shelton Street
Covent Garden
London
WC2H 9JQ

Page updates

This page was last updated on 19th May 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Plop Plop

Director: Darius Shu

Year: 2024

In a world where everyone has a partner, a woman from the secluded society of rejected singles, known as the Leftovers, takes a bold leap of faith on a revolutionary new dating app, risking everything for one last chance at love.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.