Project Detail

Monsters: Dark Continent

Synopsis

Seven years on from the events of 'Monsters', the ‘Infected Zones’ have spread worldwide and two soldiers have to embark on a life-changing mission through the dark heart of monster territory.
London Film Festival 2014 - World premiere

Details

Year
2014
Type of project
Features
Running time
123 mins
Director
Tom Green 1st Feature
Producer
Rory Aitken, Allan Niblo, Rupert Preston, Ben Pugh
Editor
Richard Graham
Screenwriter
Jay Basu
Director of Photography
Christopher Ross
Production Designer
Kristian Milsted
Composer
Neil Davidge
Principal cast
Joe Dempsie, Sofia Boutella, Johnny Harris, Sam Keeley, Parker Sawyers, Nicolas Pinnock, Kyle Soller, Uriel Emil Pollack

Categories

Production Status

Production Company

Between the Eyes

1 Book Mews
Flitcroft Street
London
WC2H 8DJ

Vertigo Films

Big Room Studios
77 Fortess Road
London
NW5 1AG

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Kid Kid

Director: Tom Green

Year: 2010

A boy travels a distance too far into his father's world.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.