Moussaka and Chips

Director: Danny Patrick

Year: 2002

Joe Doherty, a recently suspended policeman, under investigation following the death of a suspect in custody has another thorn in his side, and Dudley, his younger brother who, preferring the seedy world of drugs and dirty money, rip off crime boss Jimmy McCarthy. Three days later, during a party at Joe's house, two heavies arrive to kill Dudley, but a case of mistaken identity leaves an innocent dead. Dudley's plans to run are heightened, but he must wait for the proceeds from his dealer friend Ashraf. He blackmails Joe into getting rid of the body. We flash back in Dudley's mind to Jimmy McCarthy's bar; Dudley is almost drowned at the hands of Jimmy's bodyguards and a coke gun. Jimmy gives him a chance to redeem himself and return the goods. Joe is close to breaking point, changes his mind about dumping the body and confronts his amoral sibling with the intent of involving the police. But coupled with the investigation of the case and the latest murder, Dudley finds it easy to manipulate him and buy more time. Ashraf is concerned for his own safety, but agrees to help by sending a courier with some money. Unfortunately the courier never makes it as Jimmy McCarthy and his heavies arrive first. Jimmy, angry and frustrated, with a bloodied, yet stubborn, Dudley, orders the torture of a bound Joe. A plastic bag is pulled tight over a helpless Joe's head. Dudley, with no other choice, grabs a hidden gun and opens fire....

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.