Mr. Jones

Director: Agnieszka Holland

Year: 2007

Young Anna Holz, a student at the Vienna Music Conservatory is summoned to the offices of Herr Schlemmer, Beethoven’s publisher. His Ninth Symphony is about to be premiered and Schlemmer, who is dying of cancer, needs a copyist to complete the score. Anna eagerly accepts, despite his warning that Beethoven is a monster. As her work of copying down the music of Beethoven proceeds, Anna is drawn into the maestro’s tortured and inspired world. She sees their collaboration as a God-sent opportunity to prove her own talent as a composer; he glimpses in her a pure soul who might help him realize the culmination of his art – the creation of the last string quartets, the most sublime and spiritual music ever written. Beethoven reveals his growing need and affection for Anna as they work together on the string quartets.  She boldly shows Beethoven her own work. Thoughtlessly, he derides it and she leaves him in despair. Desperate, Anna accepts her longtime paramour, Martin’s, proposal of marriage. Beethoven storms after her - she must choose between Martin and him. Anna tries to flee Vienna but cannot; her destiny is linked to Beethoven’s. She returns to finish their work and finds him dying. From his dictation she copies the last of the quartets. His work on earth done, he frees her to become what he tells her she was born to be – a composer.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.