Project Detail

My Morning Routine

Synopsis

Lured by images of ‘glass skin perfection’ a young woman enters the world of a morning makeup routine only to discover it is not as perfect as it first seems.

Details

Year
2021
Type of project
Shorts
Running time
5 mins 58 sec
Format
Digital
Director
Georgie Cowan-Turner
Producer
Georgie Cowan-Turner, Anaïs N’Déko
Executive Producer
Queens University Belfast
Editor
Anaïs N’Déko, Gary Boyd, Georgie Cowan-Turner
Screenwriter
Georgie Cowan-Turner
Director of Photography
Gary Boyd
Production Designer
Georgie Cowan-Turner
Sound
C is For Noir
Composer
C is For Noir
Principal cast
Hannah Briercliffe, Alexandra Lyle

Categories

Production Status

Production Company

https://georgiecowan-turner.co.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Generators The Generators

Director: Georgie Cowan-Turner

Year: 2024

In a future drained of colour where energy credits are the new currency, a zero credit balance leaves one man with no option but to physically power his ailing husband’s hospital treatment. But as his energy fades, so does the possibility of a future together.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.