Never A Master Plan

Director: Giorgio Guernier

Year: 2017

Inspired by American touring blues acts like Muddy Waters and Sister Rosetta Tharpe and with the complicity of a 19-year old student from Teheran, in 1962 guitarist Alexis Korner and harmonica player Cyril Davies opened the Ealing Club, London's (and Britain's) first Rhythm and Blues venue. Soon young music fans from all over the country start attending Alexis and Cyril's shows and sit-in during their set. The list of youngsters who learn the blues at the Ealing Club includes: Jack Bruce, Ginger Baker, Paul Jones, Brian Jones, Mick Jagger, Keith Richards, Dick Taylor and Eric Burdon (just to name a few). The Ealing Club, a.k.a. 'The Cradle of British Rock' (Mojo Magazine), a dingy and smokey concrete-floored basement barely mentioned in music history books will only last three years, but its pivotal role in nurturing the golden generation of Classic-rock musicians and kick-starting the British Blues movement remains undeniable.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.