Nobody's Daughters
Synopsis
Based on a real story.
Details
- Year
- 2026
- Type of project
- Features
- Running time
- 90 min
- Format
- Digital
- Director
-
Juan Pablo Bedoya 1st Feature
- Executive Producer
- Lorena Briscoe
- Editor
- Gabriel Baudette
- Screenwriter
- Lorena Briscoe
- Director of Photography
- Alejandro Vallejo
- Production Designer
- Gabriel Posada, Yorlady Ruiz
- Sound
- Carlos Segovia
- Composer
- Alejandro Velasquez
- Principal cast
- German Jaramillo, Lorena Briscoe, Paulina Montoya, Fernando Merchan
Genre
Categories
Production Status
Production Company
An Arawana Films (CO), ZonaSur (UK, AR), Nomade Films (AR), Best Yet Entertainment (US), Guarass (US) production
ZonaSur Cinema
Lorena Briscoe131 Woodstock Road
Yarton
OX5 1PT
Page updates
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See also
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Nobody's Daughters
Director: Juan Pablo Bedoya
Year: 2026
Santo is a respected religious clockmaker and moneylender in his village. He exploits families in debt by using charm and kindness. When they cannot repay him, he persuades them to send their underage daughters to work as maids to pay off the debt. Ultimately, he sexually enslaves them and throws them out on the street when they become pregnant. His latest victim is Cira, an 11-year-old blackberry picker whose mother has pawned their home and land. After Santo's death, Maria Luisa, one of his victims, with the help of Fernando, his childhood friend and lawyer, fights for justice. After a long court battle, justice has finally been served, but not for everyone. Based on a real story.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.