Normal for Norfolk
Synopsis
Details
- Year
- 2009
- Type of project
- Shorts
- Running time
- 10mins
- Format
- 35mm
- Director
-
Gareth Lewis
- Editor
- Martin Swann
- Screenwriter
- Gareth Lewis
- Director of Photography
- Sean Bobbitt
- Production Designer
- Louise Begbie
- Sound
- Alex Ashcroft
- Composer
- Ben Foster
- Principal cast
- Stephen Campbell Moore, Tim Piggott Smith, Helen McCrory
Genre
Categories
Production Status
Production Company
Picture Farm
7 Garrett StreetLondon EC1Y 0TY
UK
T +44 (0)207 566 5879
info@picture-farm.com
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See also
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The Baker
Director: Gareth Lewis
Year: 2008
Milo is a professional hitman living on the edge. When he fails to fulfil a contract for the first time in his career, he is forced to escape the city to avoid the wrath of his employers who are keen to make him pay for his apparent failure. Pursued by a ruthless colleague who has been charged with delivering his punishment, Milo hides out in a remote rural village where the locals mistake him for the new baker. Forced to bake bread and cakes to maintain his cover, what he discovers in the process is nothing short of a revelation. When sparks fly with the beautiful local vet, he decides to start a legitimate new life as the village baker; but with his past about to catch up with him, Milo soon discovers that you can't always have your cake and eat it.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.