Project Detail

Not Yet

Synopsis

A story about international film students. Deep in its realism, sharp in its critique and uncompromising in its observations on pretentious film student life.

Details

Year
2000
Type of project
Shorts
Director
Hana Saito
Dir
Hana Saito 16mm. 27mins. Prod: Guang-Cheng Shie. Scr: Hana Saito. DoP: Jason Walker. Cast: Yawen Chang, Annie Lennards, Alan Drake, Andrew Hoynihan, Nick Ash.

Categories

Production Status

Production Company

The London International Film School 24 Shelton Street London WC2H 9HP, UK Tel: 020 7836 9642 Fax: 020 7497 3718 E-mail: film.school@lifs.org.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Not Yet Not Yet

Director: Hana Saito

Year: 2001

A story about international film students. Eri, a Japanese girl, who feels insecure about her English and works all night in her editing room at School. Many students come in and out. Sociable American Jena, arrogant German Jan, noisy Brazilian Paolo, self-centred typically British boy Bruce and unconfident Italian Massimo. Deep in its realism, sharp in its critique and uncompromising in its observations on pretentious film student life.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.