Nowhere Boy

Director: Sam Taylor-Wood

Year: 2009

Summer, 1978. London. Georgia sits in a Geography class covering her exercise book with graffiti. Her classmate Peter watches her with longing. Georgia turns and catches him – but ignores his gaze. After school Peter goes to the local record shop to buy the new Buzzcocks single, Love You More. It's the day of its release and he's desperate to own it. As he's flicking through the rack of 'New Releases' Georgia comes in. She's after the same record. But there's only one copy. And Peter's got it. Georgia quizzes him on Buzzcocks. She's quietly impressed that this seeming geek knows his stuff. But there's still only one copy. Georgia slips it into Peter's school bag and they hurry out. In the street she invites him to listen to the stolen record with her. He hesitates and admits he's supposed to be going straight home. Georgia laughs and leads him to her place - a flat above a pub. They go to her bedroom and listen to the song. It's loud and quick and it ends suddenly. Georgia throws herself at Peter and they devour each other; a frenzy of skin and limbs, the energy of the music propelling them into losing their virginities. Georgia walks Peter home. Peter wants to know if she'll continue to ignore him at school. Georgia says, 'Don't be poxy'. They kiss, tenderly. Peter watches Georgia depart. He's madly in love. Georgia walks away from him. A nervous look in her eyes. Perhaps she will never love him more than she did today.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.