On The Edge

Director: Newton I Aduaka

Year: 2000

Set around youths in contemporary London, where cultures, class and race intermingle and influence each other freely and adopted American street style is the fashion of the day. Three teenagers, Jamie aka Rage, a rebellious rapper, Godwin (G), an introverted pianist, and Thomas (T), a forlorn DJ in search of a cause, find themselves in a slow spiral which begins to erode their bond of friendship after a botched-up attempt at a burglary fuelled by desparation. They are not professional thieves but teenagers in pursuit of a dream, to cut a hip hop record. Their failed act will sound a wake-up call which forces them to re-evaluate the true nature of their friendship, as their denied separate paths creep in. Was their dream and friendship about making a record or based on a subconscious need of helping each other on their journeys of self-discovery and awakening? Hovering in the background of our protagonists' story are Jamie's friend and mentor Marcus, an elderly Rastafarian with a flawed wisdom and a penchant for marijuana which he cannot afford, and Jamie's single mother Ellen, a young woman struggling to navigate her children through the mine-filled existence of a London council estate where the resident charismatic drug lord Pin rules supreme.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.