Project Detail

Onset

Onset
Onset

Synopsis

A demon roams through an ominous synthetic environment, reconstructed from satellite images of Russian air bases in Syria, Belarus, and Ukraine.
In ONSET, Engelhardt and Cinkevich craft an unholy alliance of medieval demonology, investigative research, and CGI animation to uncover the hidden life of these military outposts.
Official Selection BFI London Film Festival 2023 - Short Film Competition

Details

Year
2023
Type of project
Shorts
Running time
25 min
Format
Digital
Director
Anna Engelhardt, Mark Cinkevich
Producer
Anna Engelhardt, Mark Cinkevich
Editor
Anna Engelhardt, Mark Cinkevich
Screenwriter
Anna Engelhardt, Mark Cinkevich, Alex Quicho
Director of Photography
Anna Engelhardt, Eduard Morocho Baias
Production Designer
Eduard Morocho Baias
Sound
Regular Citizen, Alisa Kibin
Composer
Yikii Tong
Narration
J. E. Burton

Production Status

Production Company

Anna Engelhardt

Sales Company

Anna Engelhardt

Page updates

This page was last updated on 20th October 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A finger points at the hook of the old explosive device. Terror Element

Director: Anna Engelhardt, Mark Cinkevich

Year: 2025

Forensic science is scrutinised when a fictional investigator questions procedures and motivations in the politicised 1999 bombings of flats in Russia. Official Selection BFI London Film Festival 2025

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.