Ordinary Love
Synopsis
A story about love, survival and the epic questions life throws at each and every one of us.
Official Selection Toronto International Film Festival 2019 - Gala Presentations - World premiere
Official Selection BFI London Film Festival 2019 - Love Strand - European premiere
Details
- Year
- 2019
- Type of project
- Features
- Running time
- 92 min
- Director
-
Lisa Barros D’Sa, Glenn Leyburn
- Producer
- Brian J. Falconer, David Holmes, Piers Tempest
- Co-Producer
- Tom Harberd, Elliot Ross, Fenella Ross
- Executive Producer
- René Besson, Mark Huffam, Phil Hunt, Compton Ross
- Editor
- Nick Emerson
- Screenwriter
- Owen McCafferty
- Composer
- David Holmes
- Principal cast
- Lesley Manville, Liam Neeson, David Wilmot
Genre
Categories
Production Status
Production Company
A Canderblinks Films and Out of Orbit production with support from Bankside Films, Head Gear Films, Tempo Films, Northern Ireland Screen, BFI
Sales Company
Bankside Films
Ashley House, 5th Floor12 Great Portland Street
London
W1W 8QN
Page updates
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See also
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Saipan
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Year: 2025
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About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.