Otherwise Engaged
Synopsis
Official Selection BFI London Film Festival 2015 - Laugh Strand
Details
- Year
- 2015
- Type of project
- Shorts
- Running time
- 5 mins
- Director
-
Alicia MacDonald
- Producer
- Helen Grearson, Jack Sidey
- Editor
- Myles Robey
- Screenwriter
- Alicia MacDonald
- Director of Photography
- Gareth Munden
- Principal cast
- Hannah Arterton, Mark Quartley
Genre
Categories
Production Status
Production Company
Alicia MacDonald
Sales Company
c/o Alicia MacDonald
Page updates
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See also
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Domestic Policy
Director: Alicia MacDonald
Year: 2016
In 1919, a tea lady eavesdrops on a top secret government meeting called to solve the latest, gravest problem facing the British Empire... A satirical comedy which wryly suggests that today’s obsession with female appearance was borne out of one official government meeting. Official Selection BFI London Film Festival 2016 - Laugh Strand
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.